Skip to main content

End of 2020 reading

Finished, from the summer:

    Gregory Pardlo, Digest 
    Vijay Seshadri, 3 Sections 

Started and finished since then:

    Sarah Howe, Loop of Jade
    D.A. Powell, Useless Landscape, or A Guide for Boys
    Myung Mi Kim, Commons
    Alice Oswald, Dart
    Alice Oswald, Falling Awake
    Marilyn Chin, Rhapsody in Plain Yellow
    Franz Wright, Walking to Martha's Vineyard 
    Charles Wright, Caribou

In progress:

    Jorie Graham, Sea Change
    Carmen Gimenez Smith, Be Recorder
    Cathy Park Hong, Engine Empire
    Christian Bok, Eunoia

Comments

Popular posts from this blog

February, March, April reading

Crystallography , Christian Bok Glass, Irony, and God , Anne Carson The Dolphin  and Day by Day  (selections), Robert Lowell Dolls , Claire Millikin Burying the Mountain , Shangyang Fang In the Language of My Captor , Shane McCrae frank: sonnets , Diane Seuss All the Flowers Kneeling , Paul Tran Border-Crosser with a Lamborghini Dream , Juan Felipe Herrera Ajax , Sophocles Trojan Women , Euripides The Bacchae , Euripides (from 2021; listed now) Iphigenia in Aulis , Euripides (from 2021; listed now) Orestes , Euripides Alceste , Euripides Macbeth , Shakespeare Coriolanus , Shakespeare (from 2021; listed now) Pericles , Shakespeare (from 2021; listed now)

greatness

The NY Times has run an excellent article on greatness in poetry. It's always interesting to read NY Times on poetry -- there was a fascinating one about Jorie Graham's entrance to Harvard (Valhalla?) -- because NY Times believes in poetry, but is egoistic enough to be upset when it's confronted with something it doesn't understand. That's a very useful quality, because it respectfully/hesitantly calls a pear a pear, instead of some helium-filled blather. Maybe because of it, the article anointed only one great post-Eliot poet: Elizabeth Bishop. I'm pleased and agree. (There was some noise about Ashbery, but we'll see what happens 20 years after he's dead, which means in roughly 10 years. I mean, 21.) The criterion that article settled on for greatness is: “demonstrating the qualities that make poetry seem interesting and worthwhile to such a degree that subsequent practitioners of the art form have found her work a more useful resource than the work