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September reading

Focal Point, Jenny Qi
Anybody, Ari Banias
77 Dream Songs, John Berryman
Goddess of Democracy, Henry Wei Leung
Natural History, Dan Chiasson
The Sunflower Cast a Spell to Save Us from the Void, Jackie Wang
The Lost Son (excerpts), Theodore Roethke

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February, March, April reading

Crystallography , Christian Bok Glass, Irony, and God , Anne Carson The Dolphin  and Day by Day  (selections), Robert Lowell Dolls , Claire Millikin Burying the Mountain , Shangyang Fang In the Language of My Captor , Shane McCrae frank: sonnets , Diane Seuss All the Flowers Kneeling , Paul Tran Border-Crosser with a Lamborghini Dream , Juan Felipe Herrera Ajax , Sophocles Trojan Women , Euripides The Bacchae , Euripides (from 2021; listed now) Iphigenia in Aulis , Euripides (from 2021; listed now) Orestes , Euripides Alceste , Euripides Macbeth , Shakespeare Coriolanus , Shakespeare (from 2021; listed now) Pericles , Shakespeare (from 2021; listed now)

greatness

The NY Times has run an excellent article on greatness in poetry. It's always interesting to read NY Times on poetry -- there was a fascinating one about Jorie Graham's entrance to Harvard (Valhalla?) -- because NY Times believes in poetry, but is egoistic enough to be upset when it's confronted with something it doesn't understand. That's a very useful quality, because it respectfully/hesitantly calls a pear a pear, instead of some helium-filled blather. Maybe because of it, the article anointed only one great post-Eliot poet: Elizabeth Bishop. I'm pleased and agree. (There was some noise about Ashbery, but we'll see what happens 20 years after he's dead, which means in roughly 10 years. I mean, 21.) The criterion that article settled on for greatness is: “demonstrating the qualities that make poetry seem interesting and worthwhile to such a degree that subsequent practitioners of the art form have found her work a more useful resource than the work